Renewable Coexistence:Silvana S. Foundation Commission Award Exhibition, 2nd edition
Sep 17 – Oct 9 2022
About The Mizuma Gallery
Executive Director Sueo Mizuma established Mizuma Art Gallery in Tokyo in 1994. Since its opening in Gillman Barracks, Singapore in 2012, the gallery aims for the promotion of East Asian artists in the region as well as the introduction of Southeast Asian artists to the international art scene. From 2014 to 2019, the artist residency space “Rumah Kijang Mizuma” operated in Yogyakarta, Indonesia, providing a new platform for dialogue by supporting exchanges between East Asia and Southeast Asia. In 2018, a new gallery space, “Mizuma & Kips” in New York, USA, as a shared collaboration between Mizuma Gallery from Tokyo and Singapore, and Kips Gallery from New York.
Mizuma Gallery features the works of Japanese artists including Aida Makoto, Aiko Miyanaga, Amano Yoshitaka, Ikeda Manabu, Tenmyouya Hisashi, and Yamaguchi Akira. Moreover, it showcases the works of renown East Asian artists such as Ai Weiwei, Du Kun, Jun Nguyen-Hatsushiba, Ken + Julia Yonetani, and Zhao Zhao. The gallery also features the creations of prominent and emerging artists from the region including Agan Harahap, Albert Yonathan Setyawan, Angki Purbandono, Ari Bayuaji, Ashley Yeo, Ben Loong, Budi Agung Kuswara, Entang Wiharso, Gilang Fradika, Heri Dono, I Made Djirna, indieguerillas, Iwan Effendi, Kemalezedine, Made Wianta, Mark Justiniani, Nasirun, and Robert Zhao Renhui.
About The SIPF
The Singapore International Photography Festival (SIPF) is a biennial gathering of minds from around the world with the common pursuit of advancing the art and appreciation of photography. One of Southeast Asia’s longest-running photo festivals established since 2008, it aims to be a key arena for critical thought and contemporary discourse on photography. The SIPF is organised by DECK, a dynamic art space which runs year-long, photography-centric programmes and exhibitions.
8th SIPF 2022 runs from 16 September to 30 October.
About Make-A-Wish Singapore
Make-A-Wish Singapore creates life-changing wishes for children with critical illnesses, building their resilience and confidence to overcome challenges. The Wish Journey helps children look past their situations and limitations, assist families in overcoming anxieties, and galvanise entire communities to bring hope, strength, and joy at a time when they need it most.
Together with generous donors, supporters, staff, and volunteers, Make-A-Wish Singapore grants wishes that leave a positive impact on the social and emotional well-being of children and their families. Make-A-Wish Singapore is part of the world’s leading wish-granting organization, granting over 500,000 wishes for children with critical illness in nearly 50 countries worldwide.
For more information about Make-A-Wish Singapore, visit www.makeawish.org.sg and follow us on Facebook (@MakeAWishFoundationSingapore) and Instagram (@makeawishsingapore).
About Shortlisted Candidates
- Farzana Akhtar – A Litany for Survival
- Ian Teh – China’s New Deserts
- Karoliina Kase – A Refuge for the Sacred Ones; The Ravens Tell You Where the Dead Are
- Supratim Bhattacharjee – Sinking Sundarbans; The Curse of Fossil Fuel
- Yam G-Jun – Snow Leopard Conservation in Kyrgyzstan
- Harshita Agarwal – Periphery of the Peripheral
- Mohammad Rakibul Hasan – The Forbidden Love
- Sharon Lee – If Tomorrow Never Comes; Wish You Well
- Sushavan Nandy – Ebbing Away of Identity with the Tides
About The Selection Process
Shortlisted Candidates
- Farzana Akhtar – A Litany for Survival
- Ian Teh – China’s New Deserts
- Karoliina Kase – A Refuge for the Sacred Ones; The Ravens Tell You Where the Dead Are
- Supratim Bhattacharjee – Sinking Sundarbans; The Curse of Fossil Fuel
- Yam G-Jun – Snow Leopard Conservation in Kyrgyzstan
- Harshita Agarwal – Periphery of the Peripheral
- Mohammad Rakibul Hasan – The Forbidden Love
- Sharon Lee – If Tomorrow Never Comes; Wish You Well
- Sushavan Nandy – Ebbing Away of Identity with the Tides
Selection Panels
- Moshe Rosenzveig (Australia)
Head On Photo Festival, Founder-Director and Curator - Shahidul Alam (Bangladesh)
Photojournalist, Teacher and Journalist - Poulomi Basu (London/ India)
Artist, Educator, Activist, Festival Founder - Anna Lim (South Korea)
Photographer and Professor - Robert Zhao (Singapore)
Visual Artist and Winner of the inaugural Silvana S. Foundation Commission Award
About The Photographer
Ian Teh
Ian Teh is a British-Malaysian documentary photographer whose work is motivated by environmental and social issues. In an era of continuous urbanisation and development, at its roots, his work explores the underlying dreams and desires in society and the individual and of the sacrifices often made to realise them. In the age of the selfie, Teh has returned to the classical monumental landscape. His panoramic series, Traces: Landscapes in Transition on the Yellow River, is an alarm, an announcement of terrible beauty, heralding the advancing threat we pose to our planet.
Ian has published three books, Undercurrents (2008), Traces (2011) and Confluence (2014). His work is part of the permanent collection at the Los Angeles County Museum of Art (LACMA), The Museum of Fine Arts, Houston (MFAH) and the Hood Museum in the USA. He has received several honours, including a grant from the Pulitzer Center in 2018 and presented his work on climate change at the 2018 National Geographic Photography Seminar.
He currently lives in Kuala Lumpur, Malaysia.
About The Exhibition
Renewable Coexistence by Silvana Sutanto
The covid-19 pandemic prompted widespread, collective reflections on the changes that are needed for a more equitable and sustainable world. With our human lives intrinsically intertwined with other animals, how can we co-exist in sustainable ways that benefit human beings and the planet? This second edition of the commission award welcomes explorations of renewal, regeneration, and synergistic co-existence with a sensitivity toward the conditions needed for our shared survival for generations to come.
Agats Budaya Festival, West Papua
Agats, West Papua, is home to the Asmat people in Indonesia. Despite not being as developed as other modern cities, they live a simple and sustainable life with their natural environment, a rarity in this rapidly modernising world. This series was taken during the Agats Budaya Festival, an annual celebration of Asmat culture and tradition. Silvana saw their lifestyle as something to aspire to achieve balance between modernity and Mother Nature.
Silvana also explored similar sustainable festivals and societies in Indonesia, such as the Pacu Jawi festival in Padang, where the locals celebrate the end of the rice harvest by holding bull races across the paddy fields, and the Tenggerese horsemen in Bromo Tengger Semeru National Park, who live sustainably with the local flora and fauna in a nationally conserved, active volcanic area.
The proceeds from this exhibition will go towards Make-A-Wish Singapore.
The Line of Least Resistance by Ian Teh
East of Kuala Lumpur stands the lush verdant hills of the Titiwangsa range. The region is significantly bio-diverse with areas of primary forest. It serves as a critical water catchment area for the city’s population. At the edge of the woodland is Klang Valley, an urban conglomeration of adjoining towns connecting to the capital that stretches westwards towards the coastline by the Malacca Straits. Dotted in between are remaining pockets of densely forested greenery. Their edges, usually frayed, are threatened by the endless expanse of encroaching concrete and tarmac.
Compared to its South-East Asian cousins — hyper-urbanised cities like Manila, Seoul, and Jakarta — Greater Kuala Lumpur is uniquely green. Its forests are biodiversity hot spots where researchers continue to make scientific discoveries. Forests within an urban environment are an essential offset to the urban sprawl. Like lungs, they provide oxygen to cities and capture various greenhouse gases. They filter water supplies, prevent erosion, and control floods while sustaining biodiversity. They cool built-up areas and bestow residents with opportunities for recreation, education, and cultural enrichment. Indeed the city’s green spaces boast a network of community-maintained trails for hiking and mountain biking, crags for rock climbing and waterfalls that are outstanding but often little known. These ecological services are priceless but usually undervalued, perhaps because they are unaccounted for in the nation’s GDP reports. In an era of climate change where recent years have made it explicit how much our homes and lives are at risk, Greater Kuala Lumpur’s ability to re-evaluate the importance of its remaining forests will determine the city’s long-term livability and survival.
A 2010 World Bank report describes Greater Kuala Lumpur as the eighth largest in South East Asia, its urban sprawl more extensive than many other population-dense megacities in the region. In contrast, its low population density ranks it 22nd in the area. Currently, unoccupied homes are at their peak in the Klang Valley. This data indicates longer work commutes, especially on the city’s extensive highways, which are more developed than its public transport services. Traffic jams abound. State authorities persist in raising funds by selling government land, often forested, and financial incentives by banks make buying new properties cheaper than existing ones. It all makes for ineffective city planning leading to more pollution and a continual loss of valuable natural green spaces. The addiction to continuous development needs new land; too often, the path of least resistance is in clearing forests.
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Artists:
Silvana Sutanto
Ian Teh
Organizers:
Silvana S. Foundation
Mizuma Gallery
SIPF
Charity Partner:
Make-A-Wish Singapore
The proceeds from this exhibition will go towards Make-A-Wish Singapore.